Renaissance

Der Workshop beginnt am Donnerstag um 14 Uhr und endet am Samstag um 13 Uhr.

 

The Workshop starting Thursday afternoon until Saturday morning.

An opportunity for early dance lovers to attend an intensive course covering dances from the Renaissance, Baroque, Rococo and Regency styles, and leading to a wonderful costumed ball at the Kammermusiksaal in historical Schwetzing Castle.

 

Tänze/Dances

Renaissance: Bizzaria D´Amore und Valentine´s Day

Barock: Valentine´s Day, Menuet anglois and Lilli Bulero

Empire: Walzerquadrille, Scottish Waltz Fledermausquadrille

 

Ricardo Barros - Born in Brazil but based in England for most of his life, Ricardo trained as a musician before falling in love with historical dances. He is an Associate of the Royal Academy of Music and his Doctoral thesis „Dance as a Discourse“ is available worldwide. He directs Mercurius Company, is a guest teacher for I Danzatori Palatini and performs and run courses in England, Holland, Italy, France and Brazil amongst others.

Justificación La Danza y la Música son dos aspectos de un fenómeno escénico único, articulado y equilibrado, donde los elementos musicales están fusionados con la actividad cinética.  Velocidad, articulación, acentuación y carácter están integrados en la Danza de tal forma que ponen de manifiesto la vivencia, comprensión y expresión de Música.  Con este curso damos a conocer la Danza Renacentista y Barroca desde una perspectiva teórica-práctica con el fin de que se incorpore al aula en las materias relacionadas.

Objetivos 1.- Conocer y practicar ejercicios de descontracción, movilidad, elongación y calentamiento muscular dinámico. 2.- Relacionar las principales características coreo-musicales del repertorio paradigmático renacentista y barroco con mayores posibilidades de aplicación en el aula. 3.- Encuadrar el contexto sociocultural del repertorio estudiado y sus conexiones transversales con otras materias. 4.- Incorporar la danza histórica a la práctica musical del aula.

Contenidos 1.- Preparación física: descontracción, elongación y movilidad. 2.- Vocabulario coréutico, sintaxis, prosodia, poética de composición del Renacimiento y del Barroco. 3.- Repertorio Renacentista: Suite de Bransles, Pavana, Alemanda, Contrapaso, Españoleta y Canario. 4.- Repertorio Barroco: Minueto, Zarabanda, Bourree, Giga y Gavota. 5.- Danza histórica en el aula.

Competencias Competencia científica Competencia didáctica

Destinatarios Todo el profesorado

Criterios de selección 1.- Profesores especialistas en Música. 2.- Resto de profesorado.

Metodología y evaluación El curso combinará de forma equilibrada la práctica coreográfica con la introducción teórica necesaria. Las sesiones prácticas de trabajo se estructurarán en las siguientes secciones: contextualización; preparación física; trabajo sobre las bases técnicas: lenguaje coreográfico, uso de brazos e interpretación de danzas.

Temporalización y horario La actividad se desarrollará entre el 23 de febrero de 2016 y el 9 de marzo de 2016.  El curso se desarrollará los días 23 y 24 de febrero, 1, 2, 8 y 9 de marzo de 2016, de 17:30 a 20:30 horas.

Ponentes Mª JOSÉ RUIZ MAYORDOMO. Coreólogo docente coreógrafo e intérprete.

Inscripción El plazo de inscripción está abierto.  La inscripción comenzó el 1 de febrero de 2016 y finaliza el 21 de febrero de 2016

Certificación La superación de esta actividad dará derecho a un certificado de formación de 18 horas equivalentes a 2.0 créditos. La actividad se certificará con 2.0 créditos de formación de acuerdo a la normativa vigente.

Nº de plazas 30

Lugar de realización IES LUCÍA DE MEDRANO

Asesor responsable de la actividad Josefa Ruíz Vicente

Esta actividad está cofinanciada por la Junta de Castilla y León y el Fondo Social Europeo   http://cfiesalamanca.centros.educa.jcyl.es/sitio/index.cgi?wid_seccion=…

 

"Bals et Banquets" :

un cycle de conférences autour de la gastronomie et la danse!

3 rencontres insolites animées par Alan Jones, auteur du "Dictionnaire du désir de la bonne chère", Champion 2012.

Venez vous enrichir des us et coutumes de la table, et danser (si vous le souhaitez) quelques pas de renaissance italienne ou un répertoire peu commun comme les recettes musicales!

La 1ère conférence "La cour de France découvre la cuisine italienne" aura lieu le Samedi 13 Février de 18h30 à 20h30 à la MDA du 10ème arrdt.

La 2ème conférence "Chorégraphies de table à l'époque baroque" aura lieu le Samedi 12 Mars de 18h30 à 20h30 à Paris (lieu exact à déterminer).

La 3ème et dernière conférence "Chefs d'oeuvre de la société" aura lieu le Samedi 16 Avril de 18h30 à 20h30 au Centre Anjaliom, Paris 19.

Merci de réserver à l'avance au 06 68 20 61 17 ou par mail, le nombre de places étant limitées.

ACHTUNG: Der Kurs ist ausgebucht.

Balletti auf Musik von Monteverdi, Kapsberger, Merula u.a.

Tänze zwischen 1580 und 1650 aus Italien/Spanien

für Fortgeschrittene. Kenntnis von Tanzschritten von Caroso und Negri sind erforderlich.

Das Tanzmusikrepertoire aus dem späten 16. Jhdt und Beginn des 17. Jhdts ist von ungeahnter melodischer Schönheit, rhythmischer Abwechslung und Dynamik.

Die Tanztechnik ist sicher dieser Komplexität gefolgt, aber leider ist der größte Teil dieser Choreographien niemals aufgeschrieben worden.

In unserem Jubiläumskurs stöbern wir in diesem Repertoire und choreografieren verschiedene Tänze mit der ausgebreiteten Tanztechnik, welche uns die Traktate aus Italien, Spanien und Frankreich aufzeigen.

Daneben genießen wir ein Glas Wein in einer heimischen Straußwirtschaft, erleben ein Festmahl in der Gutsschänke „Im alten Dorf“ in Dellhofen, und die übrigen Abende füllen wir mit Gesellschaftstänzen, Tanzvideos und Vorträgen.

Für den festlichen Abschlussabend am Samstag den 13.8. würden wir uns über mitgebrachte Kostüme aus der Zeit um 1600 freuen.

Kursgebühr: 500,- Euro incl. VP im DZ (EZ + 70,--Euro)

Kostenlose Schwimmbadnutzung nach Absprache

Anmeldung bis 1. Mai 2016 mit anhängendem Abschnitt an:

Lucie Schuck, Chablisstr. 35, 55430 Oberwesel

Tel. 06744/8327 oder per mail an

heribert_u._lucie-schuck@t-online.de

und gleichzeitiger Anzahlung von 300,-- €

Restzahlung bis 15.7.2016 Überweisung der Teilnahmegebühr auf das Konto des Bildungswerk Oberwesel

220 0020 BLZ 560 517 90 KSK Oberwesel BIC MALADE51SIM

IBAN: DE34560517900002200020

Maximale Teilnehmerzahl: 24 Teilnehmer

Die Reihenfolge der Anmeldung und Anzahlung entscheidet über die Teilnahme

Für Schäden, Unfälle und Verlust von persönlichem Eigentum kann keine Haftung übernommen werden

15th Century Italian Court Dance Course taught by CHIEKO ONO     WHERE: Italian Cultural Institute, Sydney (Australia) Level 4, 125 York Street Sydney NSW 2000 - Australia     WHEN: 24-25 Febraury 2016     COURSE: Introduction and practice of the Court Dance based on Italian humanist theories. By learning the style and the rules established by the Italian masters of the time, we will be able to revive the Renaissance on our skin.   We will practice unreleased dances reconstructed through the Italian original Treaties.

The music used will come from "Gloria et Malum" (Belreguardo-Micrologus), a CD containing XV Century Italian Court Dance music.

  For further information and booking: The Italian Cultural Institute, Sydney Tel:  +61 2 9261 1780 Fax: +61 2 9262 9333 E-mail: iicsydney@esteri.it, angeloassisi86@libero.it Website: http://www.iicsydney.esteri.it/IIC_Sydney/webform/SchedaEvento.aspx?id=750&citta=Sydney

The Historical Dance and Music Summer School 2016 48th Annual Summer School

Flexible options to suit your needs and purse:

• Full course: Sunday 7th to Sunday 14th August
• Short taster course: Sunday 7th to Tuesday 9th August

Dancers' Course

Hazel Dennison draws on a diverse practice of dance and drama through productions and performance, research and conference. Originally encountering early dance while training at the Central School of Speech and Drama, she later gained the DHDS Teaching Certificate. She continues teaching at all levels of education and for summer schools, workshops and heritage programmes.

Bruna Gondoni is well-known as an inspiring dancer, teacher and choreographer of Renaissance dance. She is director of Il Ballarino, the company founded by Andrea Francalanci, her first teacher. Bruna has performed in leading festivals across the world and worked with distinguished practitioners in dance and music. As well as creating choreographies for Renaissance operas, she has collaborated with Asian dance companies.

Course content

The classes will focus on the new dances created for the courts of Northern Italy throughout the fifteenth century, elegant bassadanze, intriguing balli, dances for pleasure, entertainment and the manifestation of magnificence and virtù for the Renaissance elite in their palazzi and delizie. Both teachers will draw upon a broad spectrum of humanistic studies in their work with Bruna focussing specifically on the importance of geometric concepts in the realisation of harmony, while Hazel will develop the theatricality intrinsic to the dance dramas.

Optional afternoon workshops

These will cover the Gresley dances of fifteenth century England (Cait Webb & Chris Elmes; Paul & Ann Kent); Burgundian basse dance (Anne Daye); the earlier estampies (Charlotte Ewart) and the presentation of historical dance for the public (Charlotte Ewart).

Musicians’ course led by Keith McGowan

Keith McGowan specialises in playing woodwind instruments, performing with The King’s Singers, The Harp Consort and The Sixteen. At Shakespeare’s Globe he provided music for Twelfth Night (2002-04). He is preparing for a recording of Dufay motets in 2016 with Gothic Voices. Keith teaches at Historic Royal Palaces and Shakespeare’s Globe.

Musicians rarely get a chance to work on fifteenth century dance music in ensemble. Not much dance music got written down, and the little that was notated is often in sketchy form as an aid for dancers to learn their steps and moves, in expectation that the musicians, playing without scores, would weave that sketch into something hot. Some people might see this as a problem: others relish this as an opportunity to get creative! This is a chance to spend a week honing our skills in musical improvisation and generally getting creative with the same material that medieval musicians used as their launching-off point for their dance arrangements. Authenticity? Who really knows, and who cares. There are three stages in learning to extemporise: getting started; learning the licks; getting good. The hardest step is number one, that first jump off the board. I hope to offer the chance to work at all three levels of improvisation. Still not sure you can do it? Zorzi Trombetta (Venetian sailor and occasional trumpeter) wrote down some ideas for trumpet parts for himself ’se far danser le dames' - and he got away with some pretty wild ideas! So come and join us, and let’s hear what we can find.

There will also be ample opportunities to play from printed scores and to explore areas of repertoire and technique. There will be plenty of interaction between the dance and music courses, enriching our understanding of the culture of the time.

Where is the Summer School being held?

By car the college is 27 miles from junction 18 on M62.

If you are travelling by train the nearest stations are Preston (on the mainline from London Euston and Manchester airport), Whalley and Clitheroe. The college is about 40 minutes by car from Preston, 10 minutes from Clitheroe and from Whalley. Taxis are available at Preston. Arrangements can be made in advance to collect people from Preston, Whalley or Clitheroe.

See the college website for directions..

We will have use of the college, including the grounds, tennis courts and access to the swimming pool (for which there is a small charge). The college has several spacious dance studios, several music practice rooms and an orchestra room, quality accommodation and good food.

Accommodation is in small blocks of single bedrooms within the main body of the college. These rooms are comfortable and up to date. The shower rooms for these bedrooms are adjacent to them.

For more information about the college see the website.

See the gallery for photographs of the college

How much will it cost me?

This year you can choose how you attend the Summer School to fit your budget. You can choose to:

• Stay for the full length of the course (Sunday 7th to Sunday 14 August; departure after breakfast)
  £520 DHDS members, £560 non-members
• Attend only for the short course at the start of the week (Sunday 7th to Tuesday 9th August; departure after breakfast)
  £290 DHDS members, £315 non-members

Please download the brochure (pdf) to see all the options available.

Bursaries

The Society offers full and part bursaries for appropriate candidates in memory of Nathalie Dolmetsch, Jim Cartmell and Janet Hauton. Further details

DHDS Membership

Are you a DHDS member? You may have noticed the member’s discount available. If not, why not become a member now at £20 for a single membership and £35 for a couple?

Booking forms

To book by post and pay by cheque, please download the brochure and booking form (pdf). An online booking form for credit/debit cards and PayPal is available, but please read the information in the brochure first.

Further information

More information is given on the FAQs page. You are welcome to contact the Summer School Administrator, Alison Ede, to discuss your needs on 01322 553094 or by email to

Writeaddr("summerschool", "dhds.org.uk", '')

Enable Javascript to see this email address..

Renaissancetanzabend mit Freydanz

Tänze der Renaissance und des Barock – zum Anschauen und Mittanzen

Am 25.11.2016 ab 20 Uhr lädt Freydanz e.V. zum Renaissancetanzabend in Markkleeberg ein. Begleitet durch die Live-Musik des Freydanz-Ensembles, können historische Tänze bestaunt und getanzt werden. Vorkenntnisse sind nicht erforderlich. Alle Tänze werden von Tanzmeistern mit den Gästen einstudiert. Historische Gewandung ist gern gesehen, aber kein Muss. Empfohlen werden bequeme, lockere Kleidung und Schuhe, die auf Parkett nicht rutschen.

Zeit: 20-24 Uhr (Einlass ab 19.30 Uhr)

Preis: 7,- € / 5,- €

Mehr Infos: www.freydanz.de

 

Renaissancetanzabend mit Freydanz

Tänze der Renaissance und des Barock – zum Anschauen und Mittanzen

Am 04.01.2016 ab 20 Uhr lädt Freydanz e.V. zum Renaissancetanzabend in Markkleeberg ein. Begleitet durch die Live-Musik des Freydanz-Ensembles, können historische Tänze bestaunt und getanzt werden. Vorkenntnisse sind nicht erforderlich. Alle Tänze werden von Tanzmeistern mit den Gästen einstudiert. Historische Gewandung ist gern gesehen, aber kein Muss. Empfohlen werden bequeme, lockere Kleidung und Schuhe, die auf Parkett nicht rutschen.

Zeit: 20-24 Uhr (Einlass ab 19.30 Uhr)

Preis: 7,- € / 5,- €

Mehr Infos: www.freydanz.de

 

with a series of day workshops from the Renaissance to the Roaring 20's 10.30 am – 12.30pm and 1.15pm - 3.30 pm

Workshops 

 

5thDecember	17th and 18th Century Basic Technique and Country Dances	Phillipa Waite
13rdFebruary 2016	15thC French Basse Dances and Tudor Dances	Anne Daye
5th March 2016	Baroque and Regency Country Dances	OHDS
23rdApril 2016	Dances during the Life of William Shakespeare (1564-1616) Elizabethan and Early Stuart Dances	Anne Daye
7th May 2016	Regency Dances	Barbara Segal
4th June 2016	15thC Italian Basse Dances	Phillipa Waite
1stOctober 2016	Minuet Step and Country Dances	Phillipa Waite
19thNovember 2016	Baroque Dance (Unsuitable for Beginners)	Phillipa Waite
3rdDecember 2016	16thC Italian Basse Dances	Barbara Segal

OXFORD HISTORICAL DANCE SOCIETY

Renaissance to the Roaring 20's This society was founded in 1981 and organises day courses led by experienced and qualified tutors. Background information in music, costume and history are provided as well as technique and dances. Anyone interested in history, early music, ballet, amateur dramatics etc will find these workshops stimulating and fun. These lively and interesting courses will also provide additional background knowledge especially to students preparing for GCSE and “A” Level Dance or taking other music, drama or Ballet courses.

Fees

On the day £25 (concessions £20 & students £5) In advance £20 (concessions £15) For advance booking please send contact details and a cheque made payable to Oxford Historical Dance Society to OHDS 29 The Paddocks, Yarnton, Kidlington OX5 1TP see also http://www.zen96094.zen.co.uk/default.html

More information

Chcąc umożliwić wszystkim chętnym regularną naukę Balet Dworski uruchomił w październiku tego roku Szkołę Cracovia Danza. To jedyne w Polsce miejsce, gdzie zarówno tancerze zawodowi jak i amatorzy mają okazję uczyć się technik i choreografii tańców renesansowych i barokowych od największych w naszym kraju specjalistów w tym zakresie – tancerzy Baletu Dworskiego Cracovia Danza.

Zajęcia odbywają się w każdą środę w siedzibie Cracovia Danza (Plac na Groblach 7) w dwóch grupach: I. Tańce dawne XV i XVI wieku, II. Taniec barokowy. W planach jest też utworzenie grupy dziecięcej.

Przedstawienia Cracovia Danza to jednak nie tylko czysty taniec – to teatr, w którym przekazywanie emocji wspomagają elementy pantomimy. Zatem i w Szkole Cracovia Danza nie może zabraknąć tej sztuki. W jej tajniki wprowadzi uczestników zajęć Krzysztof Antkowiak – tancerz Baletu, uczeń Henryka Tomaszewskiego, twórcy Wrocławskiego Teatru Pantomimy. Zapisy do grupy trwają.

Warto również wspomnieć o innej nowej inicjatywie na tanecznej mapie Krakowa. Również od października ruszyły zajęcia Tańce salonu polskiego w ramach działalności Polskiego Towarzystwa Gimnastycznego „Sokół”. Kontredansów, kadryli, polonezów i innych tańców królujących na XIX-wiecznych balach uczy, znana ze Szkoły Tańca Jane Austen, Maja Zawada od lat współpracująca z Cracovia Danza.

ZAPISY TRWAJĄ

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In October Cracovia Danza has launched its latest project - Cracovia Danza School. It is the only place in Poland where one can regularly learn early dances from the best Polish specialist in this field - Cracovia Danza Dancers.

The courses take place every Wednesday and the participant are divided into 2 groups: I. Early dances of 15th and 16th century, II. Baroque dance. Cracovia Danza plan also to open a children group.

There is also pantomime course lead by Krzysztof Antkowiak.

REGISTRATION FOR SCHOOL IS STILL OPEN